Tuesday 13 December 2011

Earsonics EM6

Coming hot on the heels of their recent EM4 announcement, Earsonics has jus joined the likes of Ultimate Ears, Unique Melody and Jerry Harvey in offering a six driver custom in ear monitor named expectedly, the EM6. Check out the official listing after the break. Their price though, at 940 Euros makes them a notch more expensive then the competition from the other manufacturers, especially compared to the excellent Unique Melody Miracles. It should be interesting to see what these beauties from Earsonics offer that differentiates them from the competition.


-The new in-ear monitors reference for live performance, sound-based on EM4 technology but adapted to live.The best professional tool for exigents musicians who wait for best audio quality.
The spectral balance is rigorous and a musical as never achieved before in an in-ear. Deep and "clean" lows, a "Earsonics touch" medium and treble with incredible sharpness.
The frequency response is longer thanks to the 3-way process with a rich harmonics treble extension.
The 6 drivers use, increase headroom and push more foward the limit of saturation. Very important think to reproduce extreme dynamic and powerfull signal during live performances.


spécifications:

Sensitivity: 124 dB/mW
Frequency response : 10 Hz -20 kHz
Impédance: 41 ohms
Driver: 6 balanced armature drivers (2 lows, 2mediums, 2 highs), 3-way passive crossover.
Included Accessories Replaceable "Y" cable, cleansing wipes, cerumen removal tool with brush, carrying case.

Warranty: 1 year (except cable)
EM6
-The new in-ear monitors reference for live performance, sound-based on EM4 technology but adapted to live.The best professional tool for exigents musicians who wait for best audio quality.
The spectral balance is rigorous and a musical as never achieved before in an in-ear. Deep and "clean" lows, a "Earsonics touch" medium and treble with incredible sharpness.
The frequency response is longer thanks to the 3-way process with a rich harmonics treble extension.
The 6 drivers use, increase headroom and push more foward the limit of saturation. Very important think to reproduce extreme dynamic and powerfull signal during live performances.

spécifications:

Sensitivity: 124 dB/mW
Frequency response : 10 Hz -20 kHz
Impédance: 41 ohms
Driver: 6 balanced armature drivers (2 lows, 2mediums, 2 highs), 3-way passive crossover.
Included Accessories Replaceable "Y" cable, cleansing wipes, cerumen removal tool with brush, carrying case.

Warranty: 1 year (except cable)

EM6
-The new in-ear monitors reference for live performance, sound-based on EM4 technology but adapted to live.The best professional tool for exigents musicians who wait for best audio quality.
The spectral balance is rigorous and a musical as never achieved before in an in-ear. Deep and "clean" lows, a "Earsonics touch" medium and treble with incredible sharpness.
The frequency response is longer thanks to the 3-way process with a rich harmonics treble extension.
The 6 drivers use, increase headroom and push more foward the limit of saturation. Very important think to reproduce extreme dynamic and powerfull signal during live performances.

spécifications:

Sensitivity: 124 dB/mW
Frequency response : 10 Hz -20 kHz
Impédance: 41 ohms
Driver: 6 balanced armature drivers (2 lows, 2mediums, 2 highs), 3-way passive crossover.
Included Accessories Replaceable "Y" cable, cleansing wipes, cerumen removal tool with brush, carrying case.

Warranty: 1 year (except cable)

Monday 5 December 2011

Sennheiser HD700

A first look at what could possibly be a new high-end Sennheiser headphone has been showcased in the photo after the break. From first examination, it appears to share some genes with both the HD600/650 line and the flagship HD800 model. It also looks to be an open-backed design as many of the top Sennheiser models have been.


Saturday 12 November 2011

Hifiman HE-500 for $699?


Chinese based audio company Hifiman, famous for their award winning line of Digital Audio Players, Headphone Amplifiers, Headphones and In ear monitors has just made some rather significant changes in the pricing of three of their headphones. A world class pair of headphones, the Hifiman HE-500 with new leather earpads and a newly designed silver cable will cost you "just" $699 now and is the pick of the Hifiman range now in my opinion. It is one of the most all rounded headphones in the world with clear extended treble, firm articulate bass and a transparent and lush midrange that help it to excel in every genre of music. Check out the press release below. 


Sunday 23 October 2011

Burson HA-160DS

The Burson HA-160DS had just been announced with a suggested retail price of 890USD in North America and Asia including postage. The newly announced DAC cum headphone amp should be a great one box solution for people who do not require the bigger and more expensive 160D's pre-amplifier function. I personally think that at this new price point, the 160DS is going to be pretty much untouchable as a DAC and headphone amp combo.


From Burson,
The HA-160D was built as an all in one machine that fits from a desktop audio setup to a full sized stereo system.. Since its introduction, audiophiles and magazine reviewers everywhere, appreciate it as a benchmark 3 in 1 performer, outgunning its competitors whose prices are much more expensive. Renowned reviewers, musicans and recording artists are using it to assist their creative work and are enjoying its sound everyday.
For headphone audiophiles however, the HA-160D has features that some may never use. Features such as its high end preamp, DAC output and multiple analogue inputs. We also understand that some head-fiers would like it to have a smaller footprint on the desk. Bearing this in mind we have introduced the HA-160DS. It is a streamlined version of HA-160D focused for the desktop head-fiers.


Compared to the HA-160D, the HA-160DS is 16% smaller in footprint and 35% lighter in weight. And with fewer features, it is more affordable. But it is in no way an inferior and cost focused product. It is simply a focused 2 in 1 machine that has all the performance and refinements expected from Burson Audio.


Its DAC is identical to that inside the HA-160D right down to each component used. The headphone is also identical to the HA-160 which we have been refining since 2009. We have also reduced the number of headphone outputs to one and used the best volume potentiometer we could find to ease control while preserving sonic quality. It is housed in a smaller but precision folded 4 mm aluminium casing that is elegant on any desk and works as a singular heat-sink for the entire machine. This case really puts the conventional 1 mm folded steel case to shame.

Friday 21 October 2011

Audez'e LCD-3 Lotus Driver

The LCD-3 headphones will be using a completely redesigned planar magnetic driver, called the Lotus driver.

LOTUS - Ultra Thin Diaphragm


Most Planar Magnetic speakers use Mylar (PET) diaphragm with aluminum traces. Audez’e transducers use new materials that offer substantial improvements for both diaphragm and traces. Audez’es proprietary LOTUS diaphragm is capable of handling maximum continuous operating temperatures 
of over 400 Deg Fahrenheit, This enables the drivers to have smooth, resonance free frequency response, excellent internal damping, egde damping, very low distortion and extremely fast transient response. In addition, the Audez’e Transducers are very versatile and efficient. This enables the user to pair them with a wide variety of amplifiers. The diaphragms and transducers can be optionally made hydrophobic and dust repellant for special applications.

Saturday 15 October 2011

First Photos of the New Woo WA-234, CD Transport and DAC!

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Woo CD Transport and DAC


AbvXL8BCIAAy8Mr.jpg
Woo WA-234
These new products look stunning as expected from Woo-audio given their existing range of products. I am particularly excited about their top loading CD transport and will be looking forward to picking one up. The WA-234 looks very unique, completely different from almost any other headphone amp currently in the market, reminding me more of some really flagship mono block speaker amps but miniaturized. The design does look somewhat impractical though since most headphone users have space constraints which may not be able to accommodate the Woo's bulk so well. More specifications, details and pricing will be released soon, so stay tuned.

Friday 14 October 2011

Audez'e LCD-3

The Audez'e LCD-3 headphones have just been announced. Audez'e are claiming that the new LCD-3s which will be shown at RMAF 2011 this weekend  have "unsurpassed bass extension exceptional treble and the best midrange of any headphone on the market. " I am extremely excited by these new headphones and am looking forward to trying them and maybe picking up a pair when they launch on 11th September this year. They will also be showing off their new Reality-1 near-field studio monitors, as well as the Ether-1, a 7-foot-tall speaker array, and Spitfire UHDR-1, a planar magnetic microphone. Check out some pictures, details and specifications from Audez'e below. Something interesting to note is that the LCD-3s have the same sensitivity as the LCD-2s, meaning that they should probably be relatively similar to the LCD-2s with regard to power/amplification requirements. Love the new Zebra wood finish too which should go really well with Sieveking Zebrano Headphone stand (Picture from Session Music).
Audez'e LCD-3

Sieveking Omega Stand in Zebrano
Reality-1
Spitfire Planar-Magnetic Microphone
Audez'e Reality -1
Audez’e’s Reality-1 is a unique reference monitor that combines the hyper-detailed response of the Audez’e LCD series of headphones and the sonic experience of high-end speakers. In Reality-1 the high performance planar driver is coupled with two custom dynamic woofers that provide the low-end punch. The side firing woofers are customized for very fast transient response and to minimize the cabinet vibrations.


Depth - 9.8 Inches, Width - 8.6 Inches, Height - 12 Inches
Audez’e LCD-3
When we started designing the LCD-3 professional reference headphones, the goal was very clear, it must be the best. No compromise when it comes to the quality of sound. 
Audez’e aspires to deliver extraordinary products through research. The LCD-3 is packed with many innovative technologies and new approaches.
The all new LOTUS diaphragm that uses a special alloy for conductive traces gives us greater control, lower distortion. Translation - Music that sounds like original studio recordings.
Design and Comfort
Zebra wood housing
Lambskin Earpads
Efficiency = 91 dB
Starts shipping 11-11-11
Price - $1945.00

Tuesday 11 October 2011

Woo WA-234

Big news from the leading headphones amplifier maker, Woo Audio. They have recently announced their incoming Woo WA-234 mono-block amp. It will be offered in both headphone only and headphone plus speaker configurations. First public showing will be at Rocky Mountain Audio Fest this weeked (14th-16th October), along with a new CD transport as well as a Digital Analogue Converter. Look forward to pictures coming soon and check out this great article about the WA-234 from Woo in the meantime.


http://wooaudio.com/products/wa234mono/234-introduction.pdf

Saturday 8 October 2011

Earsonics EM4

Hey guys, superrr exciting news, Earsonics has just launched their new claim to the best custom in ear monitor title, the Earsonics EM4. They are claiming that this new in ear monitor is the closest thing yet to listening to a full sized headphone, taking the sound outside the listener's head, something that is often a complain of users with regards to earphones, even flagship customs. I am very interested and am seriously considering getting one (poor wallet). Here are some pictures and specifications from their website, price is going to be 890 Euros.


spécifications:

Sensitivity: 124 dB/mW
Frequency response : 10 Hz -20 kHz
Impédance: 55 ohms
Driver: 4 balanced armature drivers (2 lows, 1medium, 1 high), 3-way passive crossover.
Included Accessories Replaceable "Y" cable, cleansing wipes, cerumen removal tool with brush, carrying case.

Warranty: 1 year (except cable)

Wednesday 7 September 2011

My first post-Audeze LCD 2 Rev 2


This is my first post and it’s a comprehensive review of my current favourite piece of audio gear, the Audeze LCD-2 Revision 2 Headphones. I have owned this pair since July and prior to that had their previous rendition. They are a pair of open backed planar magnetic headphones, with Carribean rosewood cups, sheepskin leather headband and pads. As you would have noticed the ‘Revision 2’ in their name, these are an updated model, recently released in July. I will therefore be referring to it as the Rev 2 and the original model which I previously owned as the LCD 2. The changes made compared to the original LCD 2 headphone include the new leather headband, improved pads and most importantly thinner, lighter headphone drivers. The drivers used are of course planar magnetic, basically a cross-over between the conventional dynamic drivers that are found in most headphones from the Beats by Dr Dre range to the Sennheiser HD800 and the electrostatic ones found in products like the Stax series of headphones and the Sennheiser HE-90 Orpheus. For a very nice personal touch, each pair of headphones is shipped with a unique serial number and frequency graph of your particular pair’s sound signature.

My experience with these headphones has led me to some positive and negative conclusions, though mostly the former. I will now elaborate upon separate aspects of their sound.
On the whole, the sound produced by these headphones is very impressive. They have a very smooth sound signature, with seamless transition from the bass to the mids and to the highs. Furthermore, in my opinion, they are a huge step up from the original LCD 2s in terms of the soundstage which is now much more coherent, consistent and life-like.

Treble
Firstly, the treble is a portion of the frequency range that has been highlighted as a weakness in the original LCD 2s by owners of these headphones on various forums and even in reviews. This was one of the key reasons why Audeze decided to update their headphones. The Rev 2’s still have a very smooth treble which in my opinion is not the least bit sibilant or annoying at any time under a wide range of music. It is slightly more detailed and airy than the original LCD 2s and is very clear and precise. However, I believe that if you are used to or enjoy headphones with slightly more treble such as the AKG K701s, Sennheiser HD800, etc. it may take some time getting used to these headphones as they will probably sound dark to you at first. However, after getting used to the sound signature, I suspect that you will find it very hard to go back to headphones with sharper more emphasized treble as those headphones will probably sound slightly annoying now.

Midrange
This was arguably the strongest suit of the original LCD 2s and much of it is retained. However, in my opinion. This is one area where perhaps the Rev 2 may be considered a small step back from the original model. Firstly, both the original and the Rev 2s have a supremely rich, creamy and life-like midrange. It is very detailed and allows you to hear the nuance in your music, such as the breath of the performer, the moving of chairs in a studio. However, the Rev 2s are slightly less forward and dense as the originals, which gives the impression of them being slightly less full and rich if compared side by side. This may be taken as an improvement though as now the vocals seem to integrate better with the instruments in music than before in which the vocals took centre stage while instruments seemed pushed back or to the sides. On the whole, without hearing the original LCD 2s, the Rev 2s probably have a nigh perfect midrange which anchors these headphone’s sound signature.

Bass
Ah, bass, the bane of so many headphones. Bass is probably the area in which the majority of headphones fail, as many manufacturers opt to increase the mid-bass region while allowing the lower bass to roll-off. The Rev 2s suffer no such problem, having more or less a perfectly flat bass response from about 1 khz down to 5 hz as seen in the frequency chart that comes with your hreadphone. In practice, this is also very audible. While they do not overpower the music with bass unlike certain other headphones which I have tried and completely disliked, the Rev 2s have deep, textured and powerful bass when the music requires it, such as in Squarepusher's 'do you know squarepusher', an electronic album. Furthermore, the drums in music such as the opening sequence in U2’s ‘Bullet the blue sky’ come to life, allowing you to picture the drums being played right in front of you. The bass also intergrates fabulously with the mids and highs and do not overpower them but instead complement them.

Soundstage and Presentation
The LCD 2 Rev 2s have a very enjoyable and realistic soundstage to me, they create a rough hemisphere of sound in front of your head in which instruments, vocals and sounds are all mixed. The instrument separation is good if not class leading and there is adequate “air” about the instruments. However, what I like most about their soundstage and presentation is the way that even though it is not the widest soundstage (Look at the HD800), it is supremely coherent and filled. I find that there are no gaps in the sound hemisphere in front of you and sounds can appear from anywhere within that space. This is something that I have found no other headphones, save the HD800 and AKG K1000 could do.

Build and Comfort
Moving on to the physical build of the headphones. They are very comfortable if a tad heavy to me. Weighing in at over 500grams, making them over twice as heavy as some other headphones, they certainly are not light. However, the feel pretty balanced to me and the soft leather headband and ear cups are very comfortable. They are also very well made, with beautifully finished wooden ear cups, nice connectors and very good cables for a stock cable (ADZ-5/6). I do hope to be able to test them soon with some aftermarket cables though, namely the Apuresound v3 and Alo audio Reference 8 Copper/Silver.

Conclusion and Value
On the whole, I would definitely recommend these headphones to anyone seeking a high-end headphone solution. However, I would suggest that you try them first if possible as their heavy weight may cause potential discomfort for certain users, thus ruining your experience. Potential buyers should also note that this review was conducted using several high quality Digital Analogue Converters (which will be the subject of upcoming reviews) as well as the Schiit Lyr and Woo Audio Wa 5 headphone amplifiers. I have also tried the LCD 2 Rev 2s through a Hifiman 601, Ipod touch and Sony Ericsson Walkman phone and found the sound though acceptably loud to be significantly poorer than through my home set-up. Furthermore, they are of course open backed and thus leak noise both in and out of the headphone. Hence these would not be recommended in portability is a high priority. I would also note that they come with what is in my opinion a very ordinary 1 year warranty. Though these headphones retail at $945-995 depending on the choice of headband, they are a very high value proposition in my opinion and are actually significantly cheaper than almost any competitive headphone.

Rating (Upon 10)
Overall Sound-9.5
Treble-9
Mids-9
Bass-9
Soundstage/Presentation-10
Comfort-7.5
Build-9.5
Portability-3
Warranty-7
Value-9.5
Overall (Upon 100)-83

Supporting Gear
Desktop Sources- Moon 750D CD Transport, HP HDX16 AND DV4 Laptops, Apple iMac 27inch 2010
Portable Sources-Hifiman 601, Apple Ipod Touch 3G, Sony Ericsson W995 Walkman, Motorola Atrix 4G
DACs- Moon 750D DAC
Headphone Amplifiers- Woo Audio Wa5, Schiit Lyr

I hope you enjoyed and found this article helpful. P.s. pictures will be added very soon so stay tuned.